Posts Tagged ‘clothing’

An artist is a dreamer consenting to dream of the actual world.

George Santayana

This week’s post is about Pop Art: we have to choose one artist and one or more paintings/sculptures that he did and relate them with our blog’s theme.

I’ve chosen Claes Oldenburg and hereafter you’ll see a brief biography and the analysis of some of his works mixed with some of my points of view.

  • Name: Claes Thure Oldenburg
  • Born: January 28, 1929 in Stockholm, Sweden
  • Field: Sculpture, Public Art
  • He lived in New York, Oslo, Chicago
  • He trained in the Latin School of Chicago, Art Institute of Chicago and Yale University
  • In 1976 he began working with Coosje van Bruggen (a sculptor, art historian, and critic), whom he married in 1977
  • He used as his subject matter common and commercial objects in his urban surroundings (one of the principles of pop art and this way he was contributing to its expansion in America)
The use of everyday objects is a mean of expression. By using them in many of his works, Claes is criticizing people and also how they can transform in their minds such simple objects like for example an umbrella or an ice cream in something so needed, so big.
That’s why his works are all in large scale: he portrays what happens in the mind of the consumerist.
The work I’ve chosen was the Hat in Three Stages of Landing 

Sculpture’s description: three identical sculptures with a single abstract hat form, perforated by holes to suggest a colander and let the sky through it to pattern the shadow below. Formed of aluminum and set at three elevations 80 feet apart on top of double stanchions.

Local: The site chosen by the Salinas Outdoor Sculpture Advisory Committee was a park area in front of a new auditorium and community center at the edge of town, a setting with tall eucalyptus trees edged with stables, adjoining the stands of the California Rodeo.

Salinas is a place where hats are essential because of the many works out-of-doors.

The subject of a hat fit well into this approach. It could be seen as if thrown from the Rodeo stands, descending in stages like a balloon or small plane landing on the grounds of the park.

The appearance of our Hat was controversial because we turned the curve of the brim over, facing it down to suggest a saddle and also placed the crease in the Hat crosswise to its path, liberties we defended in writing to the committee with success. 

Claes Thure Oldenburg and Coosje van Bruggen


From my point of view, besides giving an interesting detail to the landscape, these three hats are pretty useful in the hot sunny days:


So why I have chosen Claes Oldenburg?

His works, besides being “simple” (the use of daily objects in very large scale), are very original and a soft critic to society and its obsession with consumerism. If some people look at his works and say something like “omg there’s nothing more ordinary and simple thing” and “I can’t believe it, they could have occupied this place with something more useful” well it’ll only show their lack of depth view and they’ll see that they were criticizing themselves because they buy all these “simple”, “ordinary” and “useless” things. 

This way he glorifies the insignificant, while playing with it.


The fashion besides the art

The famous cowboy (/cowgirl) style doesn’t exist only in the old west movies. It was the choice of some famous brands such as Ralph Lauren and Dolce & Gabbana in very recent years: 2010 and 2011.

Characterized by the cowboy hat, with a light shirt and jeans combined with the typical cowboy boots.

It’s original and, if well combined with the clothes, this hat gives an elegant style. 

The boots are kinda interesting but I think that only combine well with all the other cowboy clothes. 

However I need to say that it isn’t such a light style to use every day. 

Dolce & Gabbana Spring Fashion 2010:

I love both these styles, besides thinking that in the right picture the boots could be in other style. 

Ralph Lauren Spring 2011 Collection presents Cowgirl Fashion:

If honestly I don’t like to much these clothes… The coat reminds me an old bed sheet. 

It’s more a safari style than properly cowboy…

From Elle España:

I love these clothes and I do not mind having equal 🙂

Adam Kimmel – Spring/Summer 2010 – Collection Cowboy:

It was missing a more masculine and less teenage clothes in the fashion world.

To finish this post I selected a very elegant and popular celebrity with a cowgirl style: Kate Middleton

I love it! The white fits well on her. She don’t need to be always with dresses to look elegant like a princess.



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Imagine yourself traveling back in time … going to the post World War II (to the 1947 more or less)! You would see that the point of view of the people of those times, when it comes to fashion (specially the women’s fashion), is all about comfort and simplicity:

As you can see, it is a continuation of the fashion of the 40s. Women seemed to have their cloths inspired in the men ones or in the military and civilian uniforms. It was a little bit heavy, rough and dark (with no bright colors) since it was a period during and after the war.

You, a futuristic person, with a more eccentric spirit and a more diversified imagination, of course will be expecting something more sophisticated, more luxurious, more feminine!

And this is when appears a person who, despite not coming from the future, had really great and evolved ideas. I am talking about the genius: Christian Dior!

For the “fashion beginners”, who didn’t know, here you have briefly who was Christian Dior: 



Dior was able to give to women a different way of being seen by the society, a different way of being themselves, Dior gave to women a New Look!

New Look

This was the name given to the first Christian Dior’s collection, launched in the Spring of 1947.

I wanted my dresses to be constructed, molded upon the curves of the feminine body, whose sweep they would stylize. 

-Christian Dior

Featuring rounded shoulders, a cinched waist, and very full skirt, the New Look celebrated ultra-femininity and opulence in women’s fashion. Dior offered not merely a new look but a new outlook.

After the WWII was needed a rebirth of everything, including fashion. Everybody wanted to forget all the bad things which occurred during that war and so Dior selected the best time to introduce to the world how a real and modern lady should be like.

The “New Look” was based in some Victorian fashion details and was characterized by:

  • Sloping Shoulders

square vs sloping

Inspired by pre-Civil War fashions, the sloping shoulders give a more soft and feminine look.

  • Tiny Waists

A tiny waist (with the help of corsets) is an essential part to outline the women’s figure.

  • Full Hips

All Dior’s designs require some sort of added fullness to the hip area.

This highlighted even more an “8” figure to the women’s body.

  • Full Busts

Most women wearing The Look also used push-up bras to help fill out their bust line.

As we can see, the race to the “perfect forms” had begun!

  • Full Skirts

These skirts were twelve inches or less from the ground.

Another important clothing of The New Look was the petticoat, reminiscent of early Victorian petticoats.

New Look fashion followers also favored petticoats in brightly colored shades (especially red and green) just like their Victorian ancestors.

The model that became the symbol of the “New Look” was the “tailleur Bar”, a coat of beige silk with tiny waist, natural shoulders and a wide pleated black skirt almost at the ankles.
Gloves, high heels and hats completed the outfit in an impeccable way. With this image of glamor was set the standard for the 50s fashion.

Paris, which had fallen from its position as the capital of the fashion world after WWII, regained its esteemed position due in part to the attention it gained from Dior’s New Look. The New Look was quickly adopted by women from everyplace in the world and this way this look had marked the 50s’ fashion and persists till nowadays as being a very luxurious look.

We went off of the war, uniforms, soldier women, the square shoulders and boxer structures time. I design femmes-fleurs, with sweet shoulders, soft busts, marked waists and skirts which explode in volume and layers.
I want to build my clothes, shaping them over the curves of the body. The woman herself will define the contours and style.

-Christian Dior




text and ideas based on: 




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